2021

MIRRORS is an online installation that generates images.

It uses mathematical formulas to create graphic noise inspired by the textures and patterns of the natural world, resulting in a constantly evolving visual composition. Through the graphical interface, users can interact with the piece by customizing and combining various parameters to create their own version of MIRRORS, which can be downloaded as a PNG file.

The project is an interactive script developed using p5.js, HTML, and CSS.

Exhibited:

2024 - GLITCH’N’GAMES - curated by Glitch Arts Collective , Bee Nix, John Bumstead, Nick Liberatore - Wick Monet Gallery, Pittsburgh, Pennsylvania (US)

2021 - Touch don’t Touch - curated by OKK Studio - Torino Graphic Days

2023

MIMESI is a digital kinetic sculpture that uses numerical variables to take shape and move within cyberspace.

It is a study of animal behaviors, employing programming to represent key traits of the animal kingdom. MIMESI focuses in particular on two phenomena: the extraordinary regenerative abilities found in certain species, and the complex social organization of colonies and swarms governed by collective rules. MIMESI is a digital worm that feeds on data to perform an intricate dance — a mating ritual in which the group becomes a singular entity. The colony exists only for a few seconds and, in an act of extreme devotion, reproduces itself through new variations. Like an endless life cycle, each MIMESI expires only to be reborn.

MIMESI is developed in p5.js using an interactive three-dimensional WEBGL environment.

2025

all_is_linked.html is an interactive web-based poem exploring identity, time, and our connection to cultural and natural roots.

Through 17 rearrangeable verses, it reflects on the fluidity of perception and the search for meaning in a hyperconnected world. Despite technological progress, the work reminds us not to lose touch with our origins. The rhizome becomes a metaphor for evolving identities, shaped by interconnection and memory. A meditation on the human experience in the digital age.

all_is_linked.html is developed in html, css, p5js and javascript.

2019

Metamorfosi brings the story of a caterpillar to life through ever-changing, self-generated video sequences.

Metamorfosi is an audiovisual algorithm that autonomously selects content and generates a unique representation of the story each time. 180 videos are selected from a library of over 500 files all provided under a CC BY-SA license.

The following is a recording of the algorithm in action, created for demonstration purposes in Turin on 02.06.19 at 7:40 PM by Gianluca Maffoni and Marta Robiglio.

Exhibited:

2019 - Creative Code Festival - Curated by neverknowsbetter , creativecodeart and new_media_art - Lightboxnyc, New York (US)

2024

It's Me is an interactive installation that invites the audience to reflect on the increasing invasive role of modern surveillance systems in everyday life.

Technology, through cameras and algorithms, acts as an outside observer, but it is also a means of extrapolating intimate and personal data. These systems, even in their apparent impartiality, prove to be distorted and dehumanized tools of analysis, distorting reality and reducing individuality to a mere object of scrutiny.
The installation consists of a video camera that captures the space in front of it and projects the images onto a screen or projector. An ultrasonic sensor detects the distance between the audience and the camera: the closer the user gets, the more the filmed image begins to blur, while some portions remain distinct but distorted and overlapping. This process simulates the increasingly in-depth and detached analysis by algorithms, which, as they “get closer” to private life, create a fragmented and distorted view of reality.
On the one hand, the feeling of being continuously observed and analyzed; on the other, the loss of authenticity and control over the image we project. Can our identity be reduced to a series of data, manipulated and distorted by an eye that observes us but, in its cold analysis, risks no longer seeing anything authentic?

It's Me is developed in html, p5js, python and arduino.

Exhibited:

2025 - Survillance Exhibition - curated by Kira Kastaneda - Nama, Nuovo Anfiteatro Martesana , Milano (IT)

2025

The door, a symbol of transition between two worlds, becomes here an entrance to a refuge in the desert — one of the most remote places on Earth.

During LPM, Live Performers Meeting a gathering of international artists in the Sahara Desert (M'Hamid El Ghizlane), I created an interactive luminous gate for LAB9 Studio . A 3-meter-tall, 2-meter-wide structure made from reclaimed wood found on site was illuminated by 16 meters of RGB LED tubing, casting colored light across the dunes surrounding the base camp. A digital temperature sensor recorded the sharp thermal contrast between day and night. The collected data generated combinations of warm and cool colors, visually simulating the fluctuating atmosphere. A proximity sensor detected the presence of people within a 5-meter radius: as someone approached, the LEDs shifted from static tones to vivid, dynamic gradients.

The installation was built using an HC-SR04 ultrasonic proximity sensor, a DS18B20 temperature sensor, 16 RGB dynamic LED bars, and programmed with MadMapper, Python, and C++.

2020

Loverz explores the state of love and social relationships in the age of digital technology.

Loverz is an installation where two automatons with human-like features move through space and exchange kisses.

The project was made with Ennio Bertrand and Gianluca Maffoni.

Exhibited:

2020 - Biennal of Technology - curated by Paratissima - Politecnico of Turin (IT)

2025

ECO is a performance realized with so.bad.so.ugly that intertwines hand drawing with the practice of live coding, creating a dialogue between analog gesture and algorithm. In an era dominated by digital art, where the stroke of the pen risks disappearing, ECO brings it back to the forefront, transforming it into a vital energy that fuels the code.

During the performance, the creation of a drawing—composed mainly of sinuous and interwoven lines—is captured in real time. This visual stream is then “fed” into an algorithm written live in JavaScript, which interacts with the image by altering its structure, colors, and legibility. The result is a gradual transition: from an initial phase in which the drawing is still recognizable, the process evolves into a radical transformation where code takes over, generating new, abstract images seemingly disconnected from the original. ECO stems from the awareness that artistic practice has always been the result of an encounter between manual skill and technique. In a cultural context where technology tends to dominate, and technical expertise is often valued more than manual ability, this performance seeks to restore balance. Through the conscious use of both languages—drawing and code—ECO invites us to reflect on the role of the hand as a creative tool. The opposable thumb, which marked a turning point in human evolution, is today often sidelined in the pursuit of artificial perfection, achievable only through machines.

Exhibited:

2025 - Fritto fm - with Dj Buono → streaming

2025 - Live Performance with bellafiga666 Dj Buono - Leila, Milano (IT)